IANNIS XENAKIS KEREN PDF
Keren. Duration: 6′. Composition dates: Publisher: Salabert, EAS Effectif: Pour trombone. Creation: Le , Festival Musica Strasbourg. The Trombone community on Reddit. Reddit gives you the best of the internet in one place. Xenakis: Keren for Trombone Solo. By Iannis Xenakis More by Iannis Xenakis. Persepolis · Xenakis: Iannis Xenakis: Nuits (Arr. for Guitar) · More Iannis.
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The composition also features “arborescences”, a composition technique iaannis by Xenakis which consists of “branchings that come off of a rooted tree”. The composition starts with a tritone played by the winds. Views Read Edit View history. Jazz Latin New Age.
Keren, however, is not merely a study in glissandi. Despite any technical difficulties, however, Keren has become a mainstay of the contemporary solo trombone repertoire, sharing the status of such important works as Berio ‘s Sequenza V Retrieved 2 July However, he received a composition for solo trombone, Kerena few years later, in Xenakis xenakks him he didn’t have more time, so he asked Xenakis if he could write a trombone concerto for Lindberg.
Iannis Xenakis: Phlegra; Jalons; Keren; Nomos; Alpha; Thalleïn
Xenakis declined the proposition and Lindberg went back home. Col legno Musikproduktion GmbH. Thought and Mathematics in Composition Romantic Evening Sex All Themes.
Several analysis methods have been proposed for this composition. The score employs archaic-sounding horn calls, built on octaves rising from the trombone’s low pedal B-flat, throughout its six minutes. Share on facebook twitter tumblr. Xenakis replied to him with great satisfaction that he could finish a trombone concerto for him on June It is dedicated to Swedish trombonist Christian Lindberg. Retrieved from ” https: Streams Videos All Posts.
The title of this composition comes from “trombone” and “orchestra”, taking into consideration that the sound of “kh” comes from Ancient Greek.
Written in for Paris-based phenomenon Benny Sluchinthe work, whose title is Hebrew for “horn,” pays homage to this performer’s Israeli roots.
It seems kerfn, then, that Xenakis’ only work for a solo wind or brass instrument is written for the trombone, for which the glissando is a particularly idomatic effect.
This page was last edited on 29 Marchat Then, the strings join in playing clusters of music which are further developed afterwards. While they play a role, the work is more a study of contrasts, of formal fluidity, as well as an exploration of the range of color and character available from the trombone. Still, the work contains a great deal of lyricism, incorporating modal melodies that echo the music of exotic locales.
Christian Lindberg traveled to Paris to meet Xenakis for the first time and audition for him. Glissandi and pizzicatiwhich were his trademarks in early works, are not as present in these late works. As part of his very personal musical vocabulary, Iannis Xenakis has taken a special interest in exploring the various possibilities of the glissando.
The composer has written a series of works for solo string instruments–which are especially well-suited to producing the effect–that explores the nuances of sliding sounds.
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